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Brushes » Brush Shapes

Angular Brushes
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By P.S. Daima & Sons  

Brush Shapes

Brush Hair

The material used to form the tuft of a brush that picks up and spreads the paint is the most important part of the brush, and determines the performance and the price of the brush. There are distinct advantages of both natural and synthetic hairs.

NATURAL or animal hair is a by-product of the food and fur industries, no animals are destroyed for the purpose of brush making. It has superior paint-holding ability because of tiny, microscopic “scales” along the shaft of the hair. Price and performance of a natural hair brush is determined by the “grade” of animal it was taken from, and the availability of its hair. Shorter-length hair is more readily available, making the longer lengths more expensive. Natural hair may be used alone (pure) or blended with other hairs or synthetic filaments to achieve a combination of performance and price.

SYNTHETICS are man-made of either nylon or polyester filaments. They can be tapered, tipped, abraded or etched to increase color carrying ability. Often, synthetic filaments are dyed and baked to make them softer and more absorbent. The common name for this filament is “Taklon.” The advantages to using synthetic brushes are:
  1. They are less prone to damage from solvents, insects or paints.
  2. They are easier to keep clean than animal hair brushes because the filaments don’t have animal scale structures to trap paint.
  3. They are less prone to breakage and are durable on many different surfaces.
  4. They are better suited for painting with acrylics because a synthetic filament will withstand the caustic nature of acrylic paints with less damage.
F.Y.I. For the protection of the hairs, most brushes are treated with a water-soluble sizing. This should be removed by thoroughly washing with brush soap and water or special brush care products before use.

Please study the information on this page and the next two pages. We’ve attempted to answer the most commonly asked questions about brushes to help you select the brush that will produce the most satisfying results.


Name/Shape Description Usage Media Hair
Round
Round
Round ferrule, round or pointed tip. Available in a wide variety of sizes, lengths and price ranges. Detail, wash, fills, thin to thick lines, scholastic artwork. All media All hair Synthetic
Pointed Round
Pointed Round
Narrower than a standard round. Round ferrule, sharply pointed tip. Natural hair holds a sharper point. Fine detailing, fine lines, spotting and retouching. All media Sable Synthetics
Flat
Flat
Flat ferrule, square-ended. Medium to long hairs. Lots of color cap- acity, easy maneuverability. Bold, sweeping strokes, on edge for fine lines. Use heavier filling for heavier paint. All media Sable Mongoose Bristle Badger Synthetic
Bright
Bright
Flat ferrule, inward curved edge at the tip, short-length hairs, usually set in a long handle. Width and length of brush head is about equal. Short, controlled strokes. Useful with thick or heavy color. Oil Acrylic Decorative Sable Mongoose Bristle Badger Synthetic
Filbert
Filbert
Thick, flat ferrule and oval-shaped, medium to long hairs. Long handles. Natural hair is more suitable for blending because the hairs hold together when wet. Soft, rounded edges, blending, figurative work. Oil Acrylic Decorative Sable Mongoose Bristle Badger Synthetic
Egbert
Egbert
Flat ferrule, oval shaped tip, longest springy hairs for more color carrying capa- city than filbert. Long handles. Soft, rounded edges, blending, figurative work. Oil Acrylic Decorative Bristle
Fan
Fan
Flat ferrule, spread hairs. Natural hair is more suitable for soft blending, and Synthetic works well for textural effects. Smoothing and blending, special effects and textures. Oil, Wtrclr. Acrylic Decorative Bristle Badger Synthetic
Script/Liner
Script/Liner
Round ferrule, pointed, narrow brush with very long hair. Liners are hair. Liners are shorter & narrower. Short handles, round ferrules. Large color carrying capacity. Delicate lettering, highlighting, out- lining, long contin- uous strokes. Watercolor Decorative Ink Sign Paint Sable Ox Synthetic
Full-Bellied Round
Full-Bellied Round
Round or triangular ferrule, extra fat for color carrying capacity. Extra long point. Short handle. Lettering, outlining, long, continuous strokes. Watercolor Decorative Ink Sable Squirrel Synthetic
Detail Round
Detail Round
Round ferrule Shorter in length than all other rounds but holds a lot of color. Short handle. Detail painting, short strokes. Watercolor, Oil, Acrylic Sable
Wash/Mop
Wash/Mop
Wash brushes come in varied shapes. The oval wash has rounded hairs, flat ferrules and produces a soft edge, with no point. The square wash can produce varying shapes and widths, and often has a short, “flat-footed” handle for scraping, burnishing and separating watercolor paper from blocks. The mop brush is a round, full version of the wash brush, made of soft, absorbent natural hair. Laying in large areas of water or color, wetting, absorbing. Watercolor Squirrel Ox Bristle Synthetics


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