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Sumi Brush




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Sumi Brushes

BrushesSumi brushes were created for the traditional painting techniques of Japan and the Far East for sumi paintings. Both the techniques and the brushes have become extremely popular in western countries. Sumi brushes are generally made of soft, absorbent natural hair and are excellent for watercolor, ceramic glazing, oriental-style painting and calligraphy. Sumi brushes have become popular with watercolor artists for detailing and fine lines.

Perfect for silk painting and other dye painting techniques, Sumi brush is basically composed of two separate parts. The central core, which determines the height and basic function of the brush, is made of relatively stiff hairs gathered to form a tapered point. The outer wrapping consists of softer hairs which are selected for their greater water-holding capacity and for facilitating smooth strokes.

The hair structure ensures smooth maneuverability and dynamic strokes whether light or heavy pressure is applied. Selected fine-quality natural hair is combined to form this excellent all-purpose brush. Because of its sharp tip and firm body, this brush performs various strokes well, while still being flexible enough for shading and coloring. It is also recommended for watercolor work.
BrushesBrushes used for acrylics have long handles that allow the artist to work at a distance from the canvas. Acrylic paints are more caustic than oils, so acrylic brushes are designed with synthetics and bristle. Acrylic brushes are usable in other mediums, particularly oils, while brushes designed specifically for oil painting and watercolors are unsuitable for acrylics. Artists can very effectively use glazing and layering techniques when using acrylic brushes.

Both natural and synthetic bristles can be used with acrylics, depending on the artist's preference. But, acrylics, being alkaline in nature, can be hard on natural hair brushes. Those made with high quality synthetics have excellent durability and offers excellent stiffness, snap and hair shape retention for maximum control. The brushes must be kept clean. If acrylic paint dries in a brush it is very hard to get out without using strong solvents that might damage the brush. Brushes are cleaned promptly by washing them with warm water and mild soap when finished painting.





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